Wed, 7 July 2021 | 17:00 – 19:30 GMT+1 | MPSG online 21 | Panel
This session raises questions against the background of the world’s recent turmoil. How does openness get inflected, displaced, and silenced by institutional structures (financial as much as aesthetic and political)? How might a critique of institutions and institutional dialogue help to square the relationship between disciplinary politics, funding agendas, and issues of gender and ethnicity on the one hand with the current evolution of Artistic Research, Performance Philosophy, Performance Studies, and Sound Art on the other hand? Can dialogue with and within institutions move from a state of indeterminacy towards a radical opening of their structural forms, thus reflecting and enhancing a genuine desire for social and artistic change?
Furthermore, what is openness in sonic artistic practice? What ethical and aesthetic potential does sonic practice have when it is so intimately enmeshed in the physical world, when the world is re-born, re-placed and re-made by each ethical and aesthetic action? What attitudes towards open dialogue and towards more open institutions might be fostered by, and within, sonic practice? How do the pragmatic lived positions of sonic artists square with institutional activity? What becomes of the openness of a sonic prerogative when its artist is working within an institution?
Performance philosophy relishes unexpected events that twist artists in new directions, and that keep artistic practices open. In a twisted time such as the present, they are a welcome impetus to sonic practice, and a means of maintaining the open engagement with the world championed by performance philosophy.
Anthony Gritten: Dialogue, Openness, and Indeterminacy in Performance Philosophy
Leona Jones: Working with sonic materials: an intervention
Caroline Wilkins: Opening up institutions in relation to music performance
Alexander Douglas: Openness in Music and Theology: An Intervention