“Music and the Absolute” 6.30-8pm | Monday 6 February 2017 Shaw Library, London School of Economics This event is free to attend but does require a ticket. Reserve your ticket here: Speakers: Nimrod Borenstein, Composer Adrian Moore, Professor of Philosophy, St Hugh’s College, University of Oxford Clélia Iruzun, Pianist Catherine Audard, Chair, Forum for European Philosophy...
Registration (conf): RMA Study Day – Keeping Time? New Approaches to Temporality
Registration is now open for: RMA Study Day – Keeping Time? New Approaches to Temporality Department of Music, University of York, Heslington, York, YO10 5DD Monday 13 June 2016 – 09:30 to 18:00 (BST) The study of temporality has been of central importance to music scholarship since the pioneering work of Jonathan Kramer, Edward T. Cone, David Epstein and others. This topic acts as a useful...
CFP (conf): Music and the Body in Greek and Roman Antiquity
Music and the Body in Greek and Roman Antiquity MOISA Annual Conference 29-31 July 2015 Newcastle University (UK) Music is an activity of the body: of breath and lips and teeth, of fingers and arms and stamping feet. The body’s organs are instruments of music and dance, and the manufactured instruments (organa) which extend the range of musical sounds humans can naturally produce are...
CFP (seminar): 8th International ORCiM Seminar
Call for Proposals The eight International ORCiM Seminar, organised at the Orpheus Institute on 25-26 February 2015, offers the opportunity for contributors from around the world to gather and explore THE MAKING OF MUSICAL TIME; Temporality in Musical Composition and Performance. Keynote lectures by Gianmario Borio (University of Pavia, Italy), Martin Scherzinger (New York University, USA) and...
CFP (conf): British Society of Aesthetics Annual Conference
BRITISH SOCIETY OF AESTHETICS ANNUAL CONFERENCE
CALL FOR PAPERS
The British Society of Aesthetics Annual Conference
18-20 September 2015, Homerton College, Cambridge
CFP (conf): Feminist Theory and Music
Feminist Theory and Music 13, 5-9 August 2015: Feminism and Black Critical Praxis in an Age of Scarcity Call for Proposals: Papers and Performances Proposals are due February 6, 2015 The thirteenth meeting of the international, biennial conference Feminist Theory and Music will take place on the campus of the University of Wisconsin-Madison 5-9 August 2015. Jointly sponsored by the Center for...
CFP (conf): Balance–Unbalance International Conference Water, Climate, Place: Reimagining Environments
Balance–Unbalance International Conference Water, Climate, Place: Reimagining Environments 27–29 March 2015 Arizona State University, Tempe Balance-Unbalance, an international conference, brings multiple disciplines together to explore intersections between nature, art, science, new technologies, aid agencies and society with the goal of developing cross-disciplinary initiatives using innovative...
EVENT: Listen(n) Acoustic Ecologies of the American Southwest Deserts
Listen(n) Acoustic Ecologies of the American Southwest Deserts Oct. 16-17, 2014 Arts, Media and Engineering Herberger Institute for Design and the Arts Location: ASU Art Museum Campus: Tempe Cost: Free The symposium features scholarly and creative presentations, including research papers, panel discussions, musical performances, installations, sound walks and a welcome from the “Kieg Mek...
Event: Ultima Academy
Ultima Academy, an annual symposium part of the Ultima Oslo Contemporary Music Festival, 10-20 September 2014.
Exploring this year’s festival theme, Nation, it will include lectures by Alain Badiou and Antonio Negri, and a workshop on music and ethics with Alain Badiou and Nanette Nielsen. A full programme will be available here soon:
EVENT: Music, Marxism, and the Frankfurt School,
Music, Marxism, and the Frankfurt School, International Conference Dublin
School of Music, University College Dublin, 2–4 July 2014
Provisional Programme
Registration will open on the afternoon of Tuesday 1 July for those delegates who arrive early.
Wednesday 2 July
08.30–09.00 Registration
09.00–09.30 Words of Welcome and Opening Address, Professor Harry White