17-18 August 2017
Max-Planck-Institute for Empirical Aesthetics, Frankfurt, Germany
Our goal is to bring together the leading experts from psychology, all
fields of music research, sociology, cultural sciences, and neuroscience,
united in the interest to investigate musical processing using eye-tracking
methodology or combining eye-tracking with other methods.
Musical processing unfolds in different domains. One obvious application of
eye-tracking methodology is music sight-reading, a field, where much
progress has been made in the 20th century. During the last few years there
seems to be growing enthusiasm to apply eye-tracking methodology to capture
the full complexity of musical processing, extending to music perception,
cognition, learning, skill-acquisition, expertise, performance, social
interactions, rhythmic entrainment, emotion processing, induced states of
altered awareness, and cross-modal interactions between the auditory,
visual, or motoric systems, to name just a few examples.
With this conference, we hope to provide a platform for expert researchers
at the intersection of music and eye-tracking to communicate with one
another, to foster and enrich discussions about methods, and to continue
refining models and theories of musical processing with insights from
eye-tracking. We encourage researchers from other areas of cognition and
emotion studies to join the interest in this complex question of
investigation: what do eye movements, pupil dilation, and blinking activity
tell us about musical processing?
Featuring Dr. Bruno Laeng as keynote speaker.
For further information and details on how to submit, please visit their website.
The deadline for submissions is 1 April 2017.