CategoryMPSG related events

CFP (conf): XIV International Bakhtin Conference

Fourteenth International Mikhail Bakhtin Conference, July 4-8, 2011, University of Bologna, University Centre of Bertinoro, Italy You are cordially invited to participate in the XIV International Bakhtin Conference. The conference will be organized around various coordinated topic areas: 1) The philological issue (the situation of Bakhtinian texts, with particular reference to the critical...

CFP (conf): 'Power of Music' – the 34th National Conference of the Musicological Society of Australia and the 2nd International Conference on Music and Emotion

We are pleased to announce the Call for Papers for the ‘Power of Music’ – the 34th National Conference of the Musicological Society of Australia and the 2nd International Conference on Music and Emotion. The conference will be held in Perth, Western Australia between 30 November and 3 December 2011.

CFP (conf): Second International Symposium on Music and Sonic Arts: Practices and Theories

Second International Symposium on Music and Sonic Art: Practices and Theories – MuSA 2011, Baden-Baden, Germany, August 2011. Proposals for sessions and individual papers for the Second International Symposium on Music and Sonic Art: Practices and Theories are invited from academics, practitioners and post-graduate students. The aim of the symposium will be to advance interdisciplinary...

CFP (Conf): Seventh International Conference on Music Since 1900 / Lancaster University Music Analysis Conference (LancMAC)

Seventh International Conference on Music Since 1900 / Lancaster University Music Analysis Conference (LancMAC) Lancaster Institute for the Contemporary Arts, Lancaster University 28-31 July 2011 Call for Papers Deadline: 3 December 2010 The Seventh Biennial International Conference on Music Since 1900 and the international conference of the Society for Music Analysis will take place at the...

CFP (Conf): RMA Annual Conference 2011 (Horizons)

Royal Musical Association Annual Conference 2011 (Horizons) University of Sussex, Brighton 14-16 July 2011 CALL FOR PROPOSALS Building on the boundaries theme of the 2010 RMA Annual Conference, this conference explores new horizons affecting music and its study.  Practitioners and researchers alike are encouraged to explore the ways in which new and emerging horizons are affecting diverse areas...

CFP (Conf) Thinking Through Dance: The Philosophy of Dance Performance and Practices

Thinking Through Dance: The Philosophy of Dance Performance and Practices Saturday 26th February 2011, 9:00 – 17:00, Froebel College, Roehampton University, London. This conference explores the philosophical questions raised by and in dance. Relatively under-theorised as it has been in the history of aesthetics, dance presents fertile ground for philosophical enquiry. Abstracts are invited...

CFP (conf): Tracking the Creative Process in Music

Maison Européenne des Sciences de l’Homme et de la Société, Lille 29 Sep – 1 Oct 2011 Deadline for submissions: 1 Dec 2010 What pro­ce­dures, tech­niques, knowl­edge and/or know-how do musi­cians uti­lize when they ‘cre­ate’ music? Beethoven’s famous walks in the park and the no less famous sketch­books have, since the 19th cen­tury, pop­u­lar­ized the idea that the cre­ative activ­ity of...

CFP (workshop) Enchanting Modernity: Theosophy and the Arts in the Making of Early Twentieth-Century Culture

Enchanting Modernity: Theosophy and the Arts in the Making of Early Twentieth-Century Culture Event type: Workshop Date: 3 December 2010 Founded in 1875, The Theosophical Society fused the study and practice of ancient mystical traditions with a commitment to shape, rather than reject, the modern world. Its ubiquitous worldwide presence in late nineteenth- and early twentieth-century culture...

CFP (Conf): Time’s Excesses in Music, Literature and Art

May 27-28, 2011 Where: Caen, France Deadline: January 15, 2011 This inter­na­tional con­fer­ence is intended to explore how time may be rep­re­sented aes­thet­i­cally in exces­sive, eccen­tric and unthink­able ways. Art appears to have found a means of get­ting around time’s dilem­mas by depict­ing it as irra­tional or por­tray­ing the impos­si­bil­ity of get­ting a firm grasp of it. In art, time...

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